The Altamont Free Festival ended up as the most infamous musical concert ever held in Schuylkill County.
It was held on the grounds of the Schuylkill Mall in northern Schuylkill County. It did not have to end like that as it had the makings of a great day. The performers were outstanding: The Jordan Brothers, The Other Side, Lil’ Andy, Tony Karpee, The Schuylkill Haven Belvederes’ Drum & Bugle Corp, Big Barrel Emil Simodejka, Buddy Widel Trio, The Individuals, and The Pottsville Barbershoppers.
With so many in attendance at the concert, some speculated that it would surpass Woodstock or the Bavarian Festival for sheer spiritual energy – surely the dawning of the new age. The venue was moved just a few days before the concert started under order of the local district magistrate. This was a premonition of the negative things to come.
The show began at noon on a cold December 6, 1969 on a stage that was only four feet high and would be surrounded by members of the Pagans, the Warlocks and the local Shriners, who acted as bouncers. There were no other security forces, so if they got out of line, there would be no stopping them.
By some accounts, the Warlocks were hired as security when the Tremont Division of the Eastern Star refused – a story that has been denied by all involved. All of the groups had provided security for other events in the county before, without incident but they never worked together. Altamont would be certainly different. The Warlocks, The local Shriners, and the Pagans would be a bad mix and not worth the $500 worth of beer that was rumored to be their salary.
Surprisingly enough, 400,000 fans showed up even though deer hunting season was in high gear. Such a crowd that day brought the traffic on Route 61 and Interstate 81 to a crawl and even strained the restroom facilities within the Schuylkill Mall. Yes, there was violence at the festival as well as chaos - too much to talk about even almost forty years later. It has been said that wherever one finds violence, chaos is usually right behind; this would turn out to be an “anti-Woodstock, “anti-Bavarian Festival” and be forever known as the dark side of musical culture, immortalized in Don McLean’s famous “Shoo Fly Pie” wherein Li’l Andy presided over the “sacrificial rite” on the day Schuylkill County music died. 
Who can forget the performance of “The Pottsville Barbershoppers?” This is the legendary group known for its tight vocal harmony, characterized by their consonant four-part chords for every melody note. It is said that the Pottsville Barbershoppers inspired such national groups as The Four Freshmen, The Limelighters, and The Beach Boys. Dressed in their red and white stripped blazers, they had just completed a dazzling twelve minute a capella foul-mouthed rendition of “Good-bye My Coney Island Baby” and had just started their suggestive encore of “I’ll Take You Home, Kathleen” when the violence began to escalate to serious proportions. No one knows who started swinging the pool sticks at the boilo-crazed people in the first row or who throw the quart bottles of Kaiers. Some say the Pagans, some say the Warlocks and others say Those Shriners. Although the concert was filmed by Sam-Son Productions for a planned Holiday television special on Pottsville’s Channel 7, it was impossible to determine who swung that cue stick or threw the bottle that resulted in bodily injury. It was filmed by Sam Lasante with a Bell & Howell Zoomatic Camera and the police were sure that it would offer a “complete record of the Altamont Free Concert.” The film was replayed thousands of times but to no avail. The police determined that the film did not depict violence about to commence but rather just showed the after effects of the violence. It was often compared to the Zapruder film.
No arrests were ever made. When the Pottsville Barbershoppers suddenly left the stage to be taken away by van to the Dutch Kitchen in Frackville, the crowds dispersed. Most headed home, some lingered to do Christmas shopping at the Mall, while others were too overcome by boilo and Kaier's beer and remained in the parking lot for days.
With so many in attendance at the concert, some speculated that it would surpass Woodstock or the Bavarian Festival for sheer spiritual energy – surely the dawning of the new age. The venue was moved just a few days before the concert started under order of the local district magistrate. This was a premonition of the negative things to come.
The show began at noon on a cold December 6, 1969 on a stage that was only four feet high and would be surrounded by members of the Pagans, the Warlocks and the local Shriners, who acted as bouncers. There were no other security forces, so if they got out of line, there would be no stopping them.
By some accounts, the Warlocks were hired as security when the Tremont Division of the Eastern Star refused – a story that has been denied by all involved. All of the groups had provided security for other events in the county before, without incident but they never worked together. Altamont would be certainly different. The Warlocks, The local Shriners, and the Pagans would be a bad mix and not worth the $500 worth of beer that was rumored to be their salary.
Surprisingly enough, 400,000 fans showed up even though deer hunting season was in high gear. Such a crowd that day brought the traffic on Route 61 and Interstate 81 to a crawl and even strained the restroom facilities within the Schuylkill Mall. Yes, there was violence at the festival as well as chaos - too much to talk about even almost forty years later. It has been said that wherever one finds violence, chaos is usually right behind; this would turn out to be an “anti-Woodstock, “anti-Bavarian Festival” and be forever known as the dark side of musical culture, immortalized in Don McLean’s famous “Shoo Fly Pie” wherein Li’l Andy presided over the “sacrificial rite” on the day Schuylkill County music died. 
Who can forget the performance of “The Pottsville Barbershoppers?” This is the legendary group known for its tight vocal harmony, characterized by their consonant four-part chords for every melody note. It is said that the Pottsville Barbershoppers inspired such national groups as The Four Freshmen, The Limelighters, and The Beach Boys. Dressed in their red and white stripped blazers, they had just completed a dazzling twelve minute a capella foul-mouthed rendition of “Good-bye My Coney Island Baby” and had just started their suggestive encore of “I’ll Take You Home, Kathleen” when the violence began to escalate to serious proportions. No one knows who started swinging the pool sticks at the boilo-crazed people in the first row or who throw the quart bottles of Kaiers. Some say the Pagans, some say the Warlocks and others say Those Shriners. Although the concert was filmed by Sam-Son Productions for a planned Holiday television special on Pottsville’s Channel 7, it was impossible to determine who swung that cue stick or threw the bottle that resulted in bodily injury. It was filmed by Sam Lasante with a Bell & Howell Zoomatic Camera and the police were sure that it would offer a “complete record of the Altamont Free Concert.” The film was replayed thousands of times but to no avail. The police determined that the film did not depict violence about to commence but rather just showed the after effects of the violence. It was often compared to the Zapruder film.
No arrests were ever made. When the Pottsville Barbershoppers suddenly left the stage to be taken away by van to the Dutch Kitchen in Frackville, the crowds dispersed. Most headed home, some lingered to do Christmas shopping at the Mall, while others were too overcome by boilo and Kaier's beer and remained in the parking lot for days.
I was one of them.
